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03 June 2009 @ 05:22 am

Icones Zootomicae
Insecta - cockroach cross section


Coelenterata - jellyfish illustrations


Coelenterata b


Coelenterata a


Insecta a


Mollusca a - cephalopod


Mollusca f - cephalopod illustration



Mollusca g


Mollusca c


Mollusca e


Mollusca h


Vermes


Vermes a



echinodermata a


echinodermata


echinodermata b



Echinodermata e



Echinodermata d


Some wonderful lithography work in these cropped (and slightly doctored) details from plates in the 1857 Julius Victor Carus book on invertebrate animals: 'Icones Zootomicae, die Wirbellosen Thiere', available as always in enormous page images from the excellent Universities of Strasbourg Digital Library collection.
"Julius Victor Carus (1823-1903) was a zoologist, editor, and historian of science. Educated in German universities and at Oxford, he served on the faculties of the latter, as well as the universities at Edinburgh and Leipzig. Carus is probably best remembered as editor of the Zoologischer Anzeiger, a position he held from its inception in 1878 until his death. He was also recognized for the translation into German of many of the classical works of Charles Darwin." [also & online works]



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03 June 2009 @ 05:22 am

The Treasury of Ornament 1
Treasury of Ornament001

Egyptian Painting and Plastic Art

Relief figures, paintings and borders from a sarcophagus and temple columns



Treasury of Ornament002

Egyptian Architecture and Painting

Capitals (sylised palms and papyrus), cornice and paintings from pylon, entablature, Luxor and Thebes temples, tomb chambers and mummy case



Treasury of Ornament003

Assyrian Painting Polychrome Sculpture Pottery

Details from bas-reliefs, glazed and enamelled bricks and painted ornament found at Khorsabad, Koyunjik and Nimroud



Treasury of Ornament004

Greek Polychrome Architecture

Friezes, cassette panels, cornices and painted ornament from Selinus, Propylaea and the temple of Nike Apteros and other sites in Athens


Treasury of Ornament005

Greek Pottery

Wine amphora, drinking vessels and vases. "The oldest Greek vases are the most simply decorated; on a light ground colour of clay bands, circles, squares etc. used to be painted. But soon they appear also with friezes, decorated with figures of animals. [..] Subsequently figural representations appear between bands: undulating lines, heart-shapes and laurel leaves, meanders etc. [..] In the zenith of Greek ceramique art the colouring of the ground and of the ornamental and figural representations underwent a change. The orange colour of the clay was spared, the bacground filled with black. The figures, drawn with the brush, show much firmness and a noble elegance." {this snip gives a rough indication of the translational quality, such as it is, of the book}




Treasury of Ornament006

Roman Ornamental Architecture and Sculpture

Friezes, capitals, candelabra, rosettes and cornices - mainly corinthian with some composite and mixed corinthian/ionic features



Treasury of Ornament007

Roman Mosaic Floors

Frieze, floor and plate-mosaics, many originating in Pompeii



Treasury of Ornament008

Pompeian Wallpainting and Polychrome Basso Relievos

The wallpaintings found at Pompeii, Herculaneum and Stabiae (and Rome) are probably reproductions of originals - now lost - by the Greek masters



Treasury of Ornament009

Chinese Painting

Porcelain painting: The principal native plants used for decorative patterns are the leaves and flowers from the tea-shrub, roses, camellias, melons etc.



Treasury of Ornament010

Chinese Painting Weaving Embroidery and Email Cloisonné*

Vases, bowls, wooden chest and curtain designs (cloisonné is a technique where outlines of the scenes are formed by soldered metal borders and enamelling takes place within each resulting 'cell')



Treasury of Ornament011

Japan Lacker Painting [sic]

Where Chinese lacquer ware designs are dominated by scenes from nature, the Japanese art more often employs geometric patterns. The most precious papier-mâché and wooden objects have up to twenty coats of lacquer applied, often with reapplication of the design in gold paint (gilding) in between each layer of lacquer, resulting in a 'relief' appearance



Treasury of Ornament012

Japan Weaving, Painting and Email Cloisonné

Porcelain and enamelled vases and border patterns from silk.



Treasury of Ornament013

Indian Metal Work

Etched and damascened ornament/decoration on battle axes, inlaid rhino skin shield and various copper and tin vessels (including a hookah)



Treasury of Ornament014

Indian Embroidery, Weaving, Plaiting and Lacquerwork [sic]

Carpets, plaited rush mat, cashmere shawl, painted lacquer and embroidered silk. Primary natural motives include the lotus and palm branch



Treasury of Ornament015

Indian Metal Work, Embroidery, Weaving and Painting

Chiselled, enamelled and jewelled arms, embroidered fans, table cover, saddle cloth and parasol; woven shawl and woven material borders, lacquer bookcover and illuminated manuscript designs.



Treasury of Ornament016

Persian Architecture

Entablature, window frame, column capitals, minaret and various architectural details (all from Isfahan*)



Treasury of Ornament017

Persian Pottery

Fayence (tin-glazed) plates and wall wainscot borders. "Both the invariably flat treatment of the ornament and the prevalence of the natural imitation of flowers constitute the characteristic style of Persian decoration."



This is the first of three or maybe four posts presenting scans (by me) from 'The Treasury of Ornament' by Heinrich Dolmetsch, first published as 'Der Ornamentenschatz' by Verlag von Julius Hoffman in Stuttgart in 1887.

The book is fairly fragile and I can't of course pull it apart, so it's difficult to get the highest grade quality: there's some focus anomalies at the edges at times but overall I don't think it's too bad. I'll probably end up scanning about three quarters of the total plates.



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